Gudniinka raga

List of Janya ragas

Hast and others, [ clarification needed ] has its "own unique melodic personality". It is found in Greek, Persian, Khwarezmian and other languages, in variants such as "raxt", "rang", "rakt" and others. The words "red" and "rado" are also related. The Mundaka Upanishad uses it in its discussion of soul Atman-Brahman and matter Prakritiwith the sense that the soul does not "color, dye, stain, tint" the matter. According to Emmie Te Nijenhuis, a professor in Indian musicology, the Dattilam section of Brihaddeshi has survived into the modern times, but the details of ancient music scholars mentioned in the extant text suggest a more established tradition by the time this text was composed. Bharata describes a series of empirical experiments he did with the Veenathen compared what he heard, noting the relationship of fifth intervals as a function of intentionally induced change to the instrument's tuning. Bharata states that certain combination of notes are pleasant, certain not so. His methods of experimenting with the instrument triggered further work by ancient Indian scholars, leading to the development of successive permutations, as well as theories of musical note inter-relationships, interlocking scales and how this makes the listener feel. Bharata states that these have the ability to trigger a certain affection and the ability to "color the emotional state" in the audience. The other ancient text, Naradiyasiksa dated to be from the 1st century BCE, discusses secular and religious music, compares the respective musical notes. Khanp. In the Indian system of music there are about the modes and different rhythms which are used in everyday music. The modes are called Ragas. The specialized sense of 'loveliness, beauty,' especially of voice or song, emerges in classical Sanskritused by Kalidasa and in the Panchatantra. Classical music has ancient roots, and it primarily developed due to the reverence for arts, for both spiritual moksha and entertainment kama purposes in Hinduism. The Buddha discouraged music aimed at entertainment, but encouraged chanting of sacred hymns. Among these is the precept recommending "abstain from dancing, singing, music and worldly spectacles". Music appeals to human beings, according to Hinduism, because they are hidden harmonies of the ultimate creation. Bhajan and Kirtan were composed and performed by the early South India pioneers. They also picked from the "standard instruments used in Hindu musical traditions" for singing kirtans in Sikhism. During the Islamic rule period of the Indian subcontinent, particularly in and after the 15th century, the mystical Islamic tradition of Sufism developed devotional songs and music called qawwali.

maktabadda | Af-Soomaaliga


Gudniinka waa qaliin yar oo qayb ahaan ama gebi ahaan lagu jaro buuryada ku taala guska. Gudniinka ka dib, maqaarka dhalfadu waxa uu noqdaa mid yara adag. Wakhtiyada qaarkeed dhalfada maqaarkeedu waxa uu noqdaa mid midab ahaan yara madow. Haweenka qaar sidoo kale waa la jaraa. Sababtoo ah tani waxyeelo ayay ku tahay haweenka waxaa loogu yeedhaa goynta xubinta taranka dhediga. Gudniinka raga waxay sidaa halista dhibaatooyin caafimaad. Dhiig bax, caabuq iyo xayiraada xididka kaadida oo caadi u dhaca. Ururada dawada waxay fahmaan in waalidiinta dhaqamada qaar ka yimid iyo diimo ay guddaan carruurtooda. Si kastaba ha ahaatee, waxay ku talitaan iyadda sababtoo ah cawaaqibka caafimaadka suuragalka ah. Besnijdenis is een kleine operatie waarbij de voorhuid van de penis geheel of gedeeltelijk wordt verwijderd. Na de besnijdenis wordt de huid van de eikel een beetje dikker. Soms wordt de eikel ook wat donkerder. Sommige vrouwen zijn ook besneden. Bij jongensbesnijdenis bestaat het risico op medische problemen. Bloedingen, infecties en plasbuisvernauwingen komen regelmatig voor. Zij raden het wel af vanuit de mogelijke gevolgen van de gezondheid. Nin taagan. Yoolku waa weeye xubinta taranka la arki karo. Nin buuryadiisa ku haya farahiisa. Guska leeh buuryada: aan la guddin. Gus aan buuryo lahayn: la gudday. Sababta gudniinka Gudniinka waxaa loo sameeyaa dhowr sababood: Buuryada ayaa aad u giijisantay oo dib looma celin karo. Gudaha Yurub, gudniinka lagulama taliyo sidii wax ka ilaaliya HIV. Khatar Gudniinka raga waxay sidaa halista dhibaatooyin caafimaad. Man rechtopstaand. De focus ligt op de zichtbare geslachtsdelen. Man houdt de voorhuid vast tussen zijn vingers. Penis met voorhuid: niet besneden. Penis zonder voorhuid: besneden. Redenen voor besnijdenis Besnijdenis gebeurt om verschillende redenen: De voorhuid is te strak en kan niet naar achteren worden getrokken. In Europa wordt besnijdenis als bescherming tegen hiv niet aangeraden. Risico Bij jongensbesnijdenis bestaat het risico op medische problemen.


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Qofka seegaysanayaa ma rabo inuu qof kale rabitaankiisa kaga dhergo, balse isaga laftiisa ayaa iska dhergaya isku biyabbaxaya. Caadada seegaysiga rag iyo dumarba waa lagu arkaa, kumana koobna ragga oo qura sida ay dad badani u haystaan. Dumarka qaar doonaya inay seegaystaan ayaa waxa dhacda inay xubintooda taranka geliyaan waxyaabo yaab leh, iyaga oon ka fekerin dhibaatooyinka ay waxyaabahaasi u geeysan karaan. Waxa dhacda in dumarka qaar isgeliyaan qalab dhumuc weyn oo dhaawacyo u geeysta, si loo soo saaraana mararka qaar u baahato dhakhtar iyo qalliin. Dumarka qaar baa isgeliya cirbado, musmaarro, qalmaan, maxaarro, iyo wixi la mida, qalabkaasi oo si sahal ah ugu gudbi kara kaadi haysta, dabeetana keeni kara dhaawac halis ah. Guud ahaan dhallinyaradu waxay seegaysiga iska daayaan kolka ay billaabaan galmo caadi ah. Hablaha iyaga boqolkiiba inta seegaysataa way ka yar yihiin wiilasha, sababahaan soo socda awgood:. Waxa la caddeeyay in casrigaan cusub dumarka seegaystaa aanay ka yarayn boqolkiiba, meelaha qaarna ayba gaaraan boqolkiiba illaa boqolkiiba Dumarka caynkaasi ahi waxay u badan yihiin kuwa aan weli bislaan iyo kuwa qaba qabow jinsiyeed ereygaasi oo sida caadiga ah loogu yeero dumarka aan galmada ku raaxaysan. Anigu, qof ahaan, shaki weyn baan ka qabaa in hablaha Soomaaliyeed ama badankoodu ay seegaysi garanayaan, waxanan taa sabab uga dhigayaa gudniinka Fircooniga ah. Fiiro Gaar ah: Isku biyabbaxa habeenkii qofka kuma keeno tamar darri, maadaama aanay qanjirradiisa taranku daallayn, waxayna awoodaan inay hal jeer habeenkii biyo tuuraan, saana ku wadaan muddo soddon sanadood ah. Ninka caafimaadka qabaa waxa uu galmo samayn karaa 2 illaa 3 jeer usbuucii, isaga oon wax dhibaato ahi gaarin, ha yeeshee dadka qaarkii oo 3 illaa 10 jeer malintii seegaysta waxay sameeyaan khalad weyn, falkoodaasina wuxuu keenaa tamardarri iyo caajis ku yimaada xubnaha taranka iyo habdhiska maskaxda. Xubnaha taranku haddii ay helaan waqti nasasho ku filan waa ay kasoo kaban karaan dhibaatooyinka ka dhasha seegaysiga faraha badan, haddiise uu qofku joogteeyo seegaysiga, waxay markaasi u dhowdahay in uu dhaawac ku yimaado walxaha jirka ee firfircooneeya qanjirrada iyo xididdada maskaxda, xididdadaasi oo haddii ay dhintaan aanay suuragal ahayn inay mar labaad awood u yeeshaan inay gutaan shaqadoodii caadiga ahayd. Aan ka ahayn xaasaskooda iyo addoomadooda ayagu eed ma laha. Dadkiise intaa kadib wax ka doonaa way xad gudbeen. Ninkaan awoodi karinse ha soomo, soonkaa shahwada ka jebinayee. Culimada diinta Islaamka intoodii badnayd way xaaraantinimeeyeen seegada caadada sirta ah. Mad-habta Xanafiya, iyadu waxay leedahay seegadu asal ahaan waa xaaraan, waxayse ku bannaanaan kartaa saddex shardi haddii si wadajir ah loo helo:. Haddaba seegadu guud ahaan diinta Islaamka waa ku xaaraan, maadaama aanay ahayn qaabkii dabiiciga ahaa ee uu Eebbe ugu talagalay in shahwada la isaga shubo, balse ay tahay wadiiqo weecsan, qofkana waxay barto waxay baddaa uga daran, hadduu mar qofku qabatimana siduu naftiisa u qabto oo isaga gooyaa ay adag tahay. Ereryga gudniin waxa loola jeedaa goyn, waana ta birta geedaha lagu gooyo lagu magacaabo gudin. Haddaba marka laga eego xagga Sharciga Islaamka, gudniinka inanku waxa weeye in laga gooyo qolofta oo iyadu ah maqaarka ku dahaaran dhalfada oo ah madaxa xubinta taranka. Gudniinka inantu waxa weeye in gabal laga jaro qolofta ku dahaaran kintirka oo isagu ah xubin kamid ah xubnaha taranka kuna dhacda dusha sare ee godka cambarka. Kintirku waxa uu leeyahay shaqo aad muhiim u ah, isaga oo keena dareenka macaansi iyo biyabbax ee haweeneyda xilliga galmada. Ha yeeshee, shucuubta xitaa kuwa hablohooda sunno gudeeya siday dadka qaar ku magacaabaanlama gooyo qolfada oo qura balse waxa lala jaraa kintirka oo idil, halka gudniinka Fircooniga ah laga dabarjaro kintirkii iyo dhammaanba faruuryihii cambarka, sida aynu gadaal ka sharxi doonno. Mowduuca gudniinku waxa uu kamid yahay mowduucyada aan wax badan laga qorin, aadna mooddo inay dadku ka hadalkiisa kaba xishoonayaan. Culimada Islaamka badankoodu ugama aanay hadal gudniinka sida ay uga hadleen waxyaabo badan oo ka ahmiyad yar sida cadaysiga. Tusaale ahaan, Imaam Xaamid al-Qasaali silsiladdiisii kutubbada ee uu ugu magac daray Soo Noolaynta Culuumta Diinta, shan sadar oo qura ayuu kaga soo hadal qaaday gudniinka. Ma jirto hal aayad oo xitaa laga dhadhansan karo jiritaanka gudniinku. Sidoo kale waxa la waayey hal xadiis oo saxiix ah oo waajibinaya amaba sunno ka dhigaya gudniinku. Gudniinka raggu waxa weeye in gabal laga jaro maqaarka ku daboolan dhalfada geedka ninka, sidaas buuna jirku uga takhallusayaa wixii wasakh, jeermis, nijaaso iyo ur ku hoos jiray maqaarkaasi la jaray. Daraasado badan oo ay sameeyeen culimada caafimaadku waxay ku caddeeyeen in cudurrada kaadi mareenka raggu yar iyo weyn ay ku badan yihiin kuwooda aan gudnayn. Waxa kale oo la caddeeyey in cudurrada galmada laysku qaadsiiyo sida jabtida iyo aydhisku ay aad ugu badan yihiin ragga aan gudnayn.

Janya ragas are Carnatic music ragas derived from the fundamental set of 72 ragas called Melakarta ragas, by the permutation and combination of the various ascending and descending notes. The process of deriving janya ragas from the parent melakartas is complex and leads to an open mathematical possibility of around thirty thousand ragas. Though limited by the necessity of the existence of individual swaroopas unique identities for the janya ragas, a list is never comprehensive or exhaustive. Thus the list below is open to additions or corrections. Moreover, some musicians experiment and use new scales, leading to new janya ragas. The 72 Melakarta ragas are numbered according to the ancient Indian system for numerical notation — the Katapayadi system. The melakartas are listed by numberswith corresponding asampoorna melakarta names [3] and scales listed just below if different, in bold. Under those musical scales are the janyas associated with each melakarta. If the raga has multiple scales in the same janyathese are given below the main scale. Other janya ragas that are either not associated with a melakarta or whose scales are not yet added in this list, are listed at the bottom. From Wikipedia, the free encyclopedia. Redirected from List of Janya Ragas. This section does not cite any sources. Please help improve this section by adding citations to reliable sources. Unsourced material may be challenged and removed. India portal Music portal. Melakarta Ragas. Kanakangi 2. Ratnangi 3. Ganamurti 4. Vanaspati 5. Manavati 6. Senavati 8. Hanumatodi 9. Dhenuka Natakapriya

Caafimaadka Iyo Diinta Gudniinka Raga Dumarka 6 @Sh Ibrahim Xirsi Galow



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